LIVE – For Multi-Camera Production
ARRI ALEXA – the most complete multi-purpose camera system: ALEXA’s superior image and product quality, transformed to the needs of broadcast style multi-camera productions with live editing and live painting. ALEXA Fiber Remote Option in a complete camera set with ALEXA or ALEXA Plus.
ALEXA, the first camera on the scene remains at the center of the family; it is the keystone of a modular and upgradeable system that offers not just an image capture solution, but an entire image pipeline. By combining proprietary ARRI technology with ubiquitous, best-of-class tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.
Main Features
- Film-like, organic look
- extended, clean highlights
- extremely low noise floor
- natural skin tones
- excellent color separation
- cinematic depth of field
- Wide exposure latitude of 14 stops
- EI 800 base sensitivity (EI 160 to EI 3200)
- Sharp, natural images
- Multiple output options
- ProRes, DNxHD and HD-SDI
- Log C, Rec 709
- ARRI Look Files for custom looks
- audio recording
- integrated rich metadata
- Apple ProRes
- QuickTime files
- any Apple ProRes codec
- native editing format for Final Cut Pro
- recording to SxS PRO cards
- AVID DNxHD
- MXF files
- DNxHD 115/120/145 or 175x/185x/220x codec
- native editing format for Media Composer
- recording to SxS PRO cards
- HD-SDI
- uncompressed HD output
- wide range of compatible recorders
- integrates into existing HD infrastructures
- Rugged and reliable
- Simple and safe operation
- Well balanced, ergonomic design
- Carefully considered details
- Powerful assistive displays, including
- surround view
- false color exposure check
- peaking focus check
- compare stored image with live image
- electronic level
- RETURN IN video
- Compatible with existing accessories
- Worldwide ARRI service network
- Compatibility with industry standards
- PL mount lenses
- HD-SDI, ProRes, SxS PRO cards
- Gold mount or V-lock on-board batteries
- 12 or 24 V power inputs and outputs
- support for cmotion cvolution lens control systems
- Numerous upgrade options
- upgradable Storage Interface Module
- upgradable Electronics Interface Module
- Exchangeable Lens Mount (ELM)
- easy and powerful free software updates
- new features through purchase of license
- Built-in Remote Control Features
- ARRI Wireless Remote System (WRS) functionality
- real-time wired or wireless remote control of lens and camera REC/STOP
- Built-in Lens Data System (LDS)
- lens mount includes new LDS contacts
- numerical lens data and depth of field display in viewfinder and MON OUT
- lens metadata in ProRes, HD-SDI and ARRIRAW (SUP 3.0)
- Lens Data Archive (LDA) for use with non-LDS lenses
- A Second MON OUT Output (1.5G HD-SDI)
- A Third RS Accessory Power Output
- Lens Synchronization for 3D
- Built-in Position and Motion Sensors
- Quick Switch BNC Connectors
- can be exchanged without camera disassembly